Since their Eurovision debut in 2007, Montenegro has had a bit of difficulty finding its footing at the competition.  A trio of pop entries (including one by veteran composer Ralph Siegel) failed to break through to the finals, and after taking a few years to regoup, an avant-garde entry from Rambo Amadeus and a modern rap submission from regionally popular hip-hop duo Who See also missed the mark.  It seems like a change of tactic was in the cards… Read the rest of this entry →